Workshop
IMAGINE! Applied Imagination, Visual Thinking, and Creativity around 1960
eikones Forum
languages: german/english
Imagination, visual thinking, and creativity are key issues of current iconic criticism and iconic research. However, sparse research has been done on the careers, genealogies and relevance of specific pragmatic aspects and applied dimensions of these iconic concepts in the course of the 20th century. The workshop will explore the historical sources of the concepts of ‘applied imagination’ and their emerging convergence in the middle of the 20th century; in particular it aims at situating this process within the wider practical, cultural and technical contexts which shaped the emergence of imagination and creativity discourses around mid-century. This will open up new fields for iconic research by including areas of technical development and engineering, but likewise the wider realm of creativity psychology, strategic innovation management, psychedelic experiments, counter culture activities, and therapeutic concepts.
Through this, the workshop will examine the historical impact of applied concepts of imagination, especially techniques of visual thinking and creativity enhancement (in psychology, business, engineering), on theoretical notions of imagination in the humanities (art theory, philosophy, aesthetics). Despite its chiefly historical focus the workshop also aims to deliver systematic categories for more critically evaluating contemporary claims for a merger of theory and practice, like in artistic research, etc., all of them referring to the imaginative power of iconicity.
Program
Monday, June 17
14.00 – 14.30 | Claudia Mareis, Margarete Pratschke: Welcome and Introduction |
14.30 – 15.30 | Vera Wolff: Artistic Imagination in the Cold War |
15.30 – 16.30 | Max Stadler: «What is the grooviest way to use this thing?». Computers, creativity and the arts of pseudo-randomness, 1960s – 70s |
16.30 – 17.00 | coffee break |
17.00 – 18.00 | Jamie Cohen-Cole: Psycholinguistics and the Creativity of Language Acquisition |
18.00 – 19.00 | Sebastian Vehlken, Philipp Hauss: Brain Drain. John C. Lilly's Floating Tanks and the Technologization of Wellness |
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09.00 – 10.00 | Jan Müggenburg: Seeing Ourselves as Dolphins See Us. John C. Lilly’s Experiments on Interspecies Communication |
10.00 – 11.00 | Katja Rothe: Familien-Stellen: Zum bildlichen Denken in der systemischen Therapie |
11.00 – 11.30 | coffee break |
11.30 – 12.30 | Margarete Pratschke: Experiences in Visual Thinking – Engineering Imagination in Robert McKim’s Imaginarium |
12.30 – 13.00 | Michael Hagner: Concluding Remarks |
Konzept: Claudia Mareis, Margarete Pratschke
eikones NFS Bildkritik, Rheinsprung 11, CH - 4051 Basel